My artwork explores ceramics, drawing, painting, and print
making. I have shown in Skagit and Whatcom Counties, in solo and group shows, at
the following galleries - The Edison Eye, i.e. Gallery in Edison, Meloy Gallery
in Bellingham, Hedgerow in Edison, Primrose at Christianson’s Nursery and
Greenhouse, Rexville Grocery, Lucky Dumpster --and Bitters and Co. near
La Conner.
As a teacher and art specialist in public schools, I have
taught students from early elementary education to university over the past 40
years. For thirty of those years, I directed a summer art camp for children,
Patterns in Nature, co-teaching with poets and musicians, exploring the
connections between art and nature, and from 2010-2014, directed the Museum of
Northwest Art’s MoNA Link Program, serving teachers expanding the arts into
their academic curriculum, and artistic enrichment for their students.
I have taught workshops for teachers through the Education
Service District 109, emphasizing art making, art history and enhanced visual
awareness through Visual Thinking Strategies, a process of looking at and
discussing art as a narrative, based on individual impressions, expressing
responses to visual creation, thereby enriching each person's unique response
to art.
For the past decade, I have worked in my small studio in
Edison, and for the past seven years supported Catholic Community Service
Farmworker’s Art Studio in Mt. Vernon, Centro de Trabajadores del Campo,
providing a supportive environment for the parents and children of local
farmworkers.
Visual mentors have played a vital role in my creative
sensibility: the German Expressionist painters of the early 20th century for
the power of their line and emotional expression; the landscape and still life
paintings of Cezanne, Braque, Matisse and Manet; Vincent van Gogh’s
unrestrained passion, especially the beauty of his drawings; Ben Shaun’s
drawings and political sensibility; Joan Michell’s color and evocative
abstractions; the brushwork and grace of Japanese Sumi-e art.
I am mentored deeply by artists here in the Skagit Valley,
those who bring powerful artistic expression to our world: their creative
interaction with place, political awareness, personal remembrance, and
emotional power; working variably in sculpture, oil paint, watercolor and
printmaking. I am daily inspired by their talent, vision, commitment, empathy,
and truth.
ARTIST STATEMENT
Christine Wardenburg-Skinner writes of Art's Alive's 'Web of Life'
My work as an artist, as in life, is connected to place,
family and the concept of neighborhood. John Muir described the Web of Life
with these words: “When we try to pick out anything by itself, we find that it
is bound fast by a thousand invisible cords that cannot be broken, to
everything in the universe.”
An artist is a “self” in the great expanse of ecology as
well as in the small neighborhood of one’s personal reality - individual, yet
always connected. My neighborhood has been the Skagit Valley, mostly in Edison;
this small village near Samish Bay, on a tidal slough, near large fields, at
the foot of the Chuckanut Mountains, has shaped my artwork profoundly.
Before moving here from Seattle, I lived alone in a cabin
for the winter months on the Skagit River. There, I neither drew, painted, nor
wrote, I simply absorbed; and in that stillness, a time of true change in my
life, I fell in love with this river and the valley which it formed. And since
that time, I have interacted with this landscape physically, mentally and
spiritually and with those individuals with whom I share it.
I have sought to express this self, so inextricably
connected to all that surrounds me, in a quiet celebration of the beauty of
what is close. I draw a great deal, always walking with my sketchbook and
supplies; when I lived in the cities, I drew the streets, people and
architecture; when I traveI, I draw places I see, their color, climate,
terrain, and somehow, their sensibility. Here in the Skagit, over the past
forty years of walking, drawing and painting, I have built a language seeking
to evoke the beauty of this place as I see it.
Evolutionary biologist Alan Rayner writes that the
individual consciousness is a vital inclusion of the wide collective realm from
which we all emerge and flow, like ripples at the interface of water and air.
As an artist, in the stillness and reception of this, I have created a body of
work over many years. It is this that I share with you, my interconnected,
visual web.
Simply
to live does not justify existence,
for
life is a mere gesture on the surface of the earth,
and
death a return to that from which
we
had never been wholly separated;
but
oh to leave a trace, no matter how faint, of a brief gesture!
For
someone, some day, may find it beautiful.
Frank
O’Hara